All RAFFAELLO Sanzio Oil Paintings

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
 

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RAFFAELLO Sanzio View of the Stanza di Eliodoro oil on canvas


View of the Stanza di Eliodoro
View of the Stanza di Eliodoro
Painting ID::  51242
  c. 1512
  c. 1512

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio The Expulsion of Heliodorus from the Temple oil on canvas


The Expulsion of Heliodorus from the Temple
The Expulsion of Heliodorus from the Temple
Painting ID::  51243
  1511-12 Fresco, width at the base 750 cm
  1511-12 Fresco, width at the base 750 cm

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio The Separation of Land and Water oil on canvas


The Separation of Land and Water
The Separation of Land and Water
Painting ID::  51244
  1518-19 Fresco Loggia on the second floor
  1518-19 Fresco Loggia on the second floor

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio The Creation of the Animals oil on canvas


The Creation of the Animals
The Creation of the Animals
Painting ID::  51245
  1518-19 Fresco Loggia on the second floor
  1518-19 Fresco Loggia on the second floor

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio The Mass at Bolsena oil on canvas


The Mass at Bolsena
The Mass at Bolsena
Painting ID::  51246
  1512 Fresco width at the base 660 cm
  1512 Fresco width at the base 660 cm

Height    Width


  INS/CM       Quality

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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